mizejewski linda (253 Ergebnisse)

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

paperback. Zustand: Good. Satisfaction 100% guaranteed.

Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. 22 apriLllight surface wear.

Zustand: New.

Erschienen bei Princeton University Press. Die thematische Studie befaßt sich mit Vorlagen und Filmstoffen à la "The Night Porter", "Cabaret" und "I Am a Camera" und zugrundeliegenden Aspekten. Illustriert. Zustand: sehr gutes Archivexemplar LN 24x16. 572g.

Zustand: New. A movie that swept the 1934 Academy Awards and captivated Depression-era America, It Happened One Night challenged the ways Americans imagined marriage, romance, gender, and class difference. This book examines key scenes and formal features of It Happened One Night , and explores its lasting importance in film history and in cultural studies. Series: Wiley-Blackwell Series in Film and Television. Num Pages: 152 pages, black & white illustrations. BIC Classification: 1KBB; 3JJG; APF; JFC. Category: (G) General (US: Trade). Dimension: 216 x 140 x 12. Weight in Grams: 140. . 2009. Paperback. . . . .

Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Near Fine. First Edition. Paperback, illustrated, x, 241pp., index, Full refund if not satisfied.

First edition. Softcover. 24 pages. A review copy of this collection of poems. A very good plus copy in stapled wrappers with some light foxing.

Trade Paperback. Zustand: Good. Some pencil notes and markings to less than around ten pages. 262 pages.

Soft cover. Zustand: Very Good. White wraps, moderate wear. Pages very good. A rare book of poetry. 24 pages. Saddlestitch bind. Size: 8vo - over 7¾" - 9¾" tall. Book.

Zustand: New. Includes essays that examine the big-budget blockbusters and critically acclaimed independent films that defined 1990s.&Uumlber den AutorHolmlund, ChrisInhaltsverzeichnisMovies and the off-white gang.

Zustand: Good. 8vo. 261 pp. Soft Cover. Black and white plates throughout. Very Good, minor wear to covers, some pages with text highlighted with yellow marker and comments in pencil in the margins, otherwise, clean and intact.From the Collection of the Art Historian Peter Selz.

Softcover. Zustand: Very Good. First Edition; First Printing. Signed and dated by Mizejewski in Columbus, OH. An unmarked copy with creasing to the corners. Illustrated, bibliography. ; 228 pages; Signed by Author.

Hardcover. Zustand: Good. Ex library copy with typical library treatments. Looks like it was checked out once. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Paperback. Zustand: Brand New. 284 pages. 10.25x7.25x0.75 inches. In Stock.

Soft cover. Zustand: Vg+. 1st Edition. At 261 pages this book is black and red with white text on the spine. The back cover is torn and retaped. There are pencil marks on the pre-title page. "To Mizejewski, the Sally Bowled adaptations end up duplicating the fascist politics the strain to condemn" the book tells us about itself.

Hardcover. Zustand: New. New Paperback. An Unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!

hardcover. Zustand: Very Good. Used - Very Good.

Zustand: New.

Zustand: New.

Isherwood, Christopher-Sally Bowles 1st. ed.not read or opened. new. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Based on the actual KGB strategy of planting illegals into American life during the Cold War, The Americans (FX 2013-2018) focuses on Philip and Elizabeth Jennings (Matthew Rhys and Kerri Russell), Soviet spies posing as middlebrow travel agents in the Virginia suburbs. Groundbreaking and unsettling, The Americans spins its stories of espionage, violence, and politics around narratives of marriage, romance, bromance, and family. Exploring the series' bold merger of the spy genre and domestic melodrama, author Linda Mizejewski focuses on the characters and relationships that made this series memorable: the extraordinary women who defy the femme fatale stereotype of the spy genre, the conflicted men, and perhaps most shockingly, the children who are both victims and provocateurs Do viewers of this Cold War thriller root for the good guys-the American agents in pursuit of the Jennings-or for the Jennings themselves, the attractive couple whose personal stories compel us even as they plot the takedown of the United States Mizejewski argues for the importance of The Americans' portrayal of 1980s suburban life as a microcosm of the moral complexities of citizenship and national identity. Drawing on television studies and feminist media theory, this book examines the series' seamless loop of espionage violence and family melodrama, as well as its savvy uses of 1980s pop culture and music. Far from invoking nostalgia, the replication of the 1980s look invokes uncertainties about how, exactly, we should see Reagan's America and the Cold War. Yet the appeal of this series rests on solid footing in the Americanism it both critiques and espouses. Mizejewski examines The Americans' struggles with this ambiguity and with the contradictions of identity, gender, marriage, and the meanings of home. Everyone from scholars and students of television and media studies, genre studies, gender and sexuality studies, and popular culture, to superfans who can't believe the show is over will revel in this highly approachable and fun read.

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of 'divine decadence'--a measure of how much we are attracted by the fiction of the 'shocking' British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, 'Sally' has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar 'Momism' to the Vietnam War. Sally Bowles as the symbol of 'wild Weimar' or Nazi eroticism represents 'history' from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of 'divine decadence'--a measure of how much we are attracted by the fiction of the 'shocking' British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, 'Sally' has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar 'Momism' to the Vietnam War. Sally Bowles as the symbol of 'wild Weimar' or Nazi eroticism represents 'history' from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.